Fizz's Top 10 for 2007:01 -
No Country for Old Men:

For putting to screen the only film this year that I felt like going back and re-watching, immediately after I came out of the screening. Cinematic to the hilt, befitting its title of being a modern crime masterpeice and impossibly living up to all the pent up hype preceeding it. And for serving us a last act that still resonates in all its unanswered beauty. Terrific!
02 -
4 Months, 3 Weeks and 2 Days:

For making me detest what men are sometimes capable of doing and how women have to cope up with it.
03 -
Silent Light:

For giving us 2007's best cinematic moment - a sublime, mysteriously ethereal 6 minute opening sunrise. And then repeating it again at the very end.
04 -
Zodiac:

For creating the film that I always thought "All the presidents men" should have been, but most of all, for almost catching the Zodiac killer and then letting him walk away.
05 -
The Edge of Heaven:

For a thougtful, moving story about a fathers mistakes and a sons forgiveness, and in a great cinematic trick, making the audience stare at the screen at the end and wait and wait and wait...
06 -
A Mighty Heart:

For recreating a city I know so well, come alive so vividly, in the midst of an intense, fruitless investigation and also for Jolie's fierce portrayal of a woman caught at the center of a personal maelstorm.
07 -
Michael Clayton:

For making us realise that even though a good consience is lethal to success, there are exceptions.
08 -
The Bourne Ultimatum:

For the most tense use of open spaces and the most kinetic, lethal & breathless display of hand to hand combat...ever.
09 -
Charlie Wilson's War:

For telling the truth, like it isn't!
10 -
Before the Devil Knows you're Dead:

For giving new meaning to the term family dynamics and for bravely being 2007's bleakest thriller.
___________________________________________________________________________________Honourable Mentions:The Kite Runner:

For taking a beautiful, touching book and making a beautiful, touching film out of it.
Assassination of Jesse James:

For the sublime poetry of its visuals.
28 Weeks Later:

For scaring the living daylights out of me 5 minutes into the film, and not letting me catch my breath thereafter.
___________________________________________________________________________________Most overrated:I'm not there
For never feeling like one, coherent film!